Murder, Matrimony and a Most Scandalous Evening

What happens when five Regency-era sisters discover their father has been murdered a few hours before hosting the social event of the season? Well, recently I had the opportunity to find out when I ran a two-hour one-shot of Virtues & Scandals called Featherington Manor.

Dear readers, the premise was delightfully simple. The players took on the roles of the Featherington Sisters, daughters of the fabulously wealthy Baron Featherington. Each sister had her own personality, ambitions and secret desires, while also navigating the rigid expectations of Regency society. Reputation was everything and scandal could destroy the entire family.

Our cast of sisters could not have been more different.

Bally Featherington was the eldest sister and self-appointed Queen of the Ball. Fanny was the dutiful daughter, determined to uphold the family’s reputation. Lucy Featherington possessed an almost alarming fascination with soldiers and military men. Milly was a hopeless romantic dreamer searching for true love. While Lizzy was a horse-mad adventurer who seemed entirely unsuited to the restrictions of polite society.

Together, they inherited a problem. Several problems, in fact.

Act One: The Dead Baron

The session opened with the sisters discovering their father dead in his study.

Unknown to the characters, the Baron had been poisoned by their scheming cousin Roger Askill. This thoroughly unpleasant opportunist stood to inherit everything if the sisters failed to secure a marriage. (This premise was lifted directly from the wonderful regency era podcast Bitcherton. Highly recommended for inspiration).

As the sisters searched the study, matters became even worse. Not only was their father dead, but his papers revealed that the family was effectively bankrupt. If one of the sisters did not secure an engagement before the evening was over, Featherington Manor would be lost.

Naturally, this was the exact moment when visitors began arriving at the front door. Rather than mourning their father, the sisters immediately began a frantic operation to hide the body. All the while maintaining the appearance that everything was perfectly normal. The dead Baron was eventually rolled in a rug before relocating to the coal cellar, which seemed entirely reasonable at the time.

Players scrambled to distract visitors, conceal evidence and fend off the ever-present Roger Askill. Every conversation became an exercise in maintaining propriety while desperately trying not to reveal that the head of the household was currently hidden amongst the coal.

As a bonus complication, an amorous gardener also entered the picture. Creating further opportunities for confusion, awkwardness and increasingly questionable explanations. By the end of the first act, the sisters had somehow managed to keep both the murder and the bankruptcy secret.

For now.

The Baron is dead, oh woe is me.

Act Two: The Featherington Ball

With disaster temporarily postponed, attention turned to the annual Featherington Ball.

One of my favourite tools as a Game Master is asking players to help build the setting through “paint the picture” questions. Rather than me describing every detail, the players collectively created the atmosphere of the evening. I had a series of questions ready to go and as such the grand ball took on a life of its own.

The ballroom quickly came alive with glittering decorations, whispered gossip, fashionable guests and subtle signs that the family’s wealth might not be quite as secure as everyone believed. The ball itself became a whirlwind of dancing, flirtation and social manoeuvring.

A collection of eligible bachelors attended, each carrying secrets of their own. There was the dashing Captain Percival Cavendish, the scholarly Julian Fairfax, the wildly unsuitable Lord Jasper Redmond and the sombre Mr Charles Wetherby. Meanwhile Roger Askill continued lurking in the background, hoping the sisters would fail and leave him free to claim the estate.

As conversations unfolded, alliances formed and ambitions collided. There was matchmaking, misunderstandings and a surprising amount of unsuccessful flirting.

And then there was the Can Can.

The Can Can, too scandalous!

A Dance Too Far

At some point during the evening, the Featherington sisters managed to convince the attendees to participate in the scandalous new dance sweeping society: the Can Can.

The image of respectable Regency nobles enthusiastically joining a dance that would have sent society’s chaperones into fits of horror perfectly captured the spirit of the session. The game had begun with strict expectations of decorum and social propriety, yet slowly descended into delightful chaos as players embraced increasingly bold solutions to their problems.

By this stage, secrets were being uncovered, schemes were being hatched and romantic opportunities were being pursued with varying degrees of success.

A Happy Ending… More or Less

Despite the murder, the bankruptcy, the hidden corpse, the scheming cousin and the numerous social disasters waiting to happen, the sisters ultimately achieved the one thing they desperately needed.

A proposal of marriage.

With an engagement secured by Fanny and the wealthy merchant Fairfax, the family estate was saved from falling into Askill’s hands and the Featherington name survived another day.

Why It Worked

What made Featherington Manor such an enjoyable session was how quickly the players embraced the premise. The combination of Regency etiquette, hidden agendas, personal ambitions and absurd circumstances created fertile ground for roleplaying.

Unlike many games where problems are solved with swords or spells, every challenge here revolved around conversation, reputation and relationships. Players had to think like ambitious socialites rather than adventurers, balancing personal goals against the needs of the family.

The result was a session filled with laughter, memorable character moments and exactly the kind of emergent storytelling that tabletop roleplaying games do best.

For two hours, five players became the Featherington Sisters, desperately trying to preserve their family’s future while hiding a murdered father in the coal cellar. While I, as the GM, desperately tried to keep up as the various suitors, stable boys and servants.

One of players commented that there was no fighting, it was a very different session to normal. Which is exactly why I love running one-page rpgs.

For those interested in running a similar session, go and buy Virtues and Scandals! I’ve also included my session notes to download for free here.

How to Recruit Players for Your D&D Group

At work right now, I’m involved in a recruitment campaign. I review CVs, help shortlist candidates, and sit in on interviews as we look for the right people to join our team. Of course, technical skills matter. We need people who can do the job. But experience and qualifications are only part of what makes someone successful in a role.

What we are really looking for is cultural fit.

  • Are they passionate about botany or zoology?
  • Are they proactive?
  • Do they volunteer for opportunities?
  • Will they take initiative and get things done without constant direction?
  • Will they work well with the rest of the team?

These are the things that often determine whether someone will truly succeed and enjoy their role long term. The more I have been involved in recruitment at work, the more I have realised that recruiting players for a Dungeons & Dragons group might well be very similar.

Your D&D Group Needs the Right Culture

When people look for new D&D players, they often focus heavily on experience and rules knowledge.

  • Do they know how to play?
  • Have they played before?
  • Do they understand the system?
  • Can they build a character correctly?

Those things can certainly help, but they are not necessarily the most important qualities in a long-term group. The bigger question is whether they fit the culture of the table.

  • Will they get along with the other players?
  • Do they enjoy the same style of game?
  • Are they interested in roleplaying, tactical combat, storytelling, or character development in the same way as the rest of the group?
  • Will they contribute positively to the table dynamic?

A player can learn rules over time. It is much harder to change attitude, engagement, or play style.

Recruit for Long-Term Fit

At work, my goal is not simply to hire someone to fill a position for a few months. Ideally, I want someone who will stay with the company, grow into the role, contribute to the team, and find genuine fulfilment in what they do.

The same applies to a D&D group.

When recruiting a new player, you are not just trying to fill an empty chair at the table. You are looking for someone who will become part of the group long term. Someone who contributes to the stories, the friendships, and the overall experience of the campaign.

Thinking back to my most successful campaigns, it’s group dynamic that really made them tick. So it is absolutely worth taking the time to protect it.

Referrals Can Make a Huge Difference

One thing that often helps in recruitment is referrals from trusted staff members. Recommendations can provide confidence that someone will fit the culture and work well with the team.

Of course the same is true with your D&D group.

Some of the best additions to a gaming group come through existing members. Current players already understand the group dynamic and often know who is likely to fit well with the table’s style and expectations. While referrals are not a guarantee, they can often help avoid many of the issues that come from bringing in completely unknown players.

Where to find new adventurers.

Where to Find New Players

If you cant get any referrals or are starting completely from scratch don’t despair, there are more ways than ever to connect with potential players, both online and in person.

Facebook Groups

Local Facebook groups are still one of the easiest ways to find players. Most cities have tabletop gaming or D&D community groups where people regularly post looking for campaigns.

The advantage of Facebook is that you can often get a sense of someone before inviting them to your table. You can see how they communicate, what sort of games they enjoy, and how they interact with others in the community.

When posting, it also helps to be clear about the type of game you run. Mention things like:

  • Tone of the campaign
  • Frequency of sessions
  • Experience level required
  • Whether the game is roleplay-heavy or combat-focused
  • Expectations around commitment and attendance

Being upfront helps attract players who are genuinely suited to your group.

Reddit and Online Communities

Reddit can also be a useful recruitment tool. Subreddits dedicated to D&D, tabletop RPGs, or local gaming communities often have players actively searching for groups. Online platforms like Discord communities and RPG forums can serve a similar purpose.

The key is not to recruit the first available person immediately. Treat the process carefully. Have conversations first, ask about play style, and make sure expectations line up on both sides.

Local Game Stores

Even in this digital world we live in local game stores are still one of the best places to meet tabletop players. Many stores have noticeboards where you can post flyers or group advertisements. Even a simple poster with your contact details and a short description of the campaign can attract interested players.

Game stores also allow you to meet people face to face before committing to a long campaign. You can often get a much better sense of personality and enthusiasm through casual conversation than through online messages alone.

A DnD interview…

Public Gaming Groups

Another excellent option is attending public gaming groups and community events.

Groups that run open or public games are often full of people actively looking for regular campaigns. They also give you the opportunity to actually play with potential recruits before inviting them into your long-term group.

In Western Australia, groups such as DnD Fremantle provide a great way for players and Game Masters to meet others in the local community. Public games can act almost like a trial run, helping everyone work out whether the personalities and play styles fit together naturally.

This approach can often lead to much stronger long-term groups because everyone has already experienced what playing together is actually like.

Take Your Time

Whether it is in the workplace or around a gaming table, finding the right people matters. Rules can be taught. Systems can be learned. Experience can grow over time. But building a strong group culture takes care and patience.

If you want a D&D campaign that lasts for years, with players who genuinely enjoy playing together, it is worth taking your time and recruiting wisely.

How to Write Engaging Game Scenarios That Fit a Tight Schedule

One of the biggest challenges when using roleplaying games in workplace settings is time. At home, a roleplaying session can happily sprawl across an entire afternoon or evening. Players chat about their week, argue with goblins for forty minutes, and somehow spend half the session buying rope. Conference environments are very different creatures entirely and run to an extremely tight schedule. Sessions need to start quickly, engage immediately, and conclude cleanly before attendees disappear into the next keynote presentation.

I have been asked to run a series of games for a communication conference in 2027 (I’ll post more details closer tot he time). There will be four sessions over two days, each 75 minutes long. The idea is to showcase how roleplaying games can help foster communication and develop leadership skills. Now I love playing short one shots, but they normally take a minimum of 3 hours. So, I have an interesting challenge: write two engaging scenarios that show case the player interaction and can be wrapped up with a debrief in one hour. Easy, right… right…

Rules

While I love D&D, Call of Cthulhu and others, they do contain pretty heavy rulesets. I will also be working under the assumption that none of the conference attendees will have any experience playing roleplaying games. Consequently, using an established ruleset is going to have too high of a learning curve.

In order for the players to get into the game quickly I’m going to use my own ruleset Play2Lead. Easy to learn in a couple of minutes participants should be able to get into the action straight away. In a similar vein there will be no character creation, rather pre generated characters will be provided for each scenario, with clear roles.

The Three Encounter Structure

I’ve written before about designing workplace scenarios before and i intend to follow the same design principles. As such each of these scenarios will a simple three encounter structure that I use for one-shots:

  1. Cold Open: Throw players straight into action—explosions, monsters, a chase. Skip the slow build.
  2. Middle Twist: Add a big revelation that flips the situation on its head.
  3. Final Showdown: End with a bang. The danger should feel real, and not everyone has to make it out alive. If possible add a difficult dilemma for the players to work through.

That’s all we have time for.

This structure creates momentum. Players immediately understand there is a clear objective and limited time to achieve it. As first-time players it’s important that they feel comfortable so they can quickly grasp the rhythm of the game.

Perhaps most importantly, it leaves room for some roleplay without letting the session drift into the wastes of overlong decision-making.

Why Familiar Genres Matter

One thing I’ve learned over years of introducing new players to RPGs is that unfamiliar rules are far less intimidating when wrapped inside familiar stories. People already understand the language of popular movies. They know how zombie survivors behave. The tension of an alien horror film is obvious. They instinctively grasp the heroic structure of fantasy quests. Of course, this means you can skip enormous amounts of explanation.

Nobody needs a twenty-minute briefing to understand: “Something is hunting us on this spaceship.” Or: “The dead are rising and we need to escape.”

The tropes do the heavy lifting for you. Players arrive with expectations already loaded into their brains like pre-installed software, allowing them to engage almost immediately.

As such my intention is to design my scenarios around popular movies. My initial thinking is Alien, Zombies and potentially a Lord of the Rings inspired one, this is roleplaying after all.

Everyone loves a good allien.

First Thoughts on an Alien Inspiration

Science fiction horror works beautifully in short-form workplace games because the pressure is immediate and constant. Everyone can visualise the close industrial tunnels of these types of film. The players can get straight into the game without much in the way of explanation.

Characters

The pre-generated characters for this session will include standard tropes: captain, engineer, science officer, medic, pilot each with a specific skill and piece of equipment.

Encounter One: The Distress Signal

Straight into the action, the crew of a salvage vessel begin by investigating a damaged research station after receiving a fragmented distress call. The station is mostly abandoned, lights flickering, alarms sounding intermittently, and signs of violence scattered throughout the corridors. The players must find the generator and restore power to the engines. What has caused such chaos?

Suddenly the hull will breach and the players need to work together to secure it, quickly. A nice bit of urgency right from the get go.

Encounter Two: Something is Loose

Now for the middle twist, although probably not unexpected given the theme. As the team explores deeper into the facility, they discover evidence of a hostile lifeform. Slime, scratch marks etc. Communications fail. The creature begins stalking them through vents, maintenance tunnels, and darkened laboratories.

Players must talk in whispers, or communicate through note or face attack from the creature. The scenario becomes about teamwork, communication, and managing panic under pressure.

Encounter Three: Escape

The players discover the only way out is aboard a damaged shuttle with limited seats and a failing reactor countdown. They must choose between rescuing survivors, destroying the station, or simply escaping alive. A very juicy dilemma!

This final encounter creates fantastic workplace discussions around leadership, decision-making, and competing priorities.

Keep It Simple, Keep It to a Tight Schedule

The key to designing this sort of adventure is that simplicity creates engagement.

Conference attendees do not need twenty pages of backstory and complicated rules.

They need:

  • A clear objective
  • Recognisable tropes
  • Immediate problems
  • Interesting decisions
  • A chance to contribute

That’s what creates memorable sessions.

Over the next few months I’ll be refining the design for 2-3 scenarios and sharing my thinking here.

But what i really want is to give those conference attendees signing up for my games to leave with a fun memory having experienced something different. And i hope the realisation that RPGs can be used as a fun way to practice both communication and leadership.

Particularly the bit where Dave from HR sacrificed himself to the space monster while screaming into a malfunctioning flamethrower.

Enjoying the Chaos of a Gigantic Bolt Action Game: Operation Sea Lion

Last weekend I took part in one of the most ambitious and entertaining wargames I have ever experienced. This game of massive Bolt Action was based on Operation Sea Lion, Hitler’s planned invasion of Britain. This took place at Outpost 6030 and was organised by the cunning, deplorable and very organised Jackson and John. It brought together somewhere between 22 and 26 players (I lost count of how many due to in-game shenanigans) for a day of glorious confusion, desperate heroics and unexpected betrayals.

Part of the battlefield looking towards the beach in the far distance

A Massive Battlefield

Firstly, the battlefield itself was a spectacle. A sprawling 12ft x 12ft table, arranged in an H-shape to allow players access, was packed with beautifully painted terrain. The board depicted a slice of rural England, complete with coastline, villages, rivers, bridges, roads, fields and woodland. Telephone boxes, signposts and even a suspicious-looking TARDIS added to the atmosphere. Every piece had been provided by the players, creating a stunning setting for the battle to unfold. I even managed to get my houses, hedges and fences to depict a corner of sunny England (soon to be occupied by a battery of French howitzers.

My corner of England

Game Set Up

For the game, I dusted off my British Royal Marine Commandos to help defend our green and pleasant land. My force included a couple of mobile assault squads led by the legendary Gus March-Phillipps (depicted by Henry Caville in the recent film Ministry of Ungentlemanly Warfare), supported by additional commando sections and a command unit complete with a piper to keep morale high. If you’re going to defend Britain, you may as well do it in style.

The Allied team was ably commanded by our authentic cap-wearing Commander Jono and consisted of an eclectic mix of British Expeditionary Force troops, French forces, Home Guard and of course my commandos. We had plenty of artillery, lots of early-war infantry and precious little armour. We also had a cricket team, ready to knock Jerry for six, literally.

What made the scenario particularly interesting/confusing was that both the Allied and Axis teams were issued secret objectives. Nobody knew exactly what the other players were trying to achieve. Certain locations, landmarks and VIPs carried hidden importance, meaning that every move and every deployment could be part of a larger plan.

The Allies deployed first, spreading our forces across the battlefield. My Commandos took up position near a river and road network, ready to act as a rapid-response force. With rumours of German paratroopers and glider-borne troops potentially appearing anywhere, flexibility seemed the wisest course of action.

Then the first order dice was drawn and the madness began.

Save the King!

One Massive Bolt Action Battle

Objectives included bunkers, churches, schools, stately homes and a bewildering assortment of VIPs. Winston Churchill appeared in multiple locations, very much channeling the Eagle has Landed. The King was present. Thomas Shelby of Peaky Blinders fame was somehow involved. There was so much happening that I spent the first couple of activations feeling completely overwhelmed. My Commandos sat on ambush, waiting for the inevitable airborne assault while I tried to make sense of events unfolding around me.

Eventually I settled into the game, only to discover that understanding the situation was apparently against the scenario rules.

New factions kept appearing with their own agendas. American forces arrived and immediately started shooting at my troops. An Allied partisan force suddenly revealed itself as German paratroopers straight out of The Eagle Has Landed and made off with Churchill from under my nose. Hidden German troops concealed inside a stately home opened fire, devastating nearby Allied units and wiping out a section of my brave commandos.

Outrageously, the King himself was captured by the Italians. My Commandos rushed to the rescue, driving off his captors and preventing his abduction. It was a suitably heroic moment. Unfortunately, before we I could celebrate, IRA partisans emerged from nowhere and gunned him down. So much for that plan.

Elsewhere, Gus March-Phillipps and his assault team launched a daring attack against an American half-track, nearly destroying it before being cut down by supporting fire. It was a fittingly bold end for the Commandos, who spent much of the game charging towards trouble wherever it appeared.

Gus March -Phillips last stand

The Bigger Picture

The remarkable thing was that all of the above happened within my relatively small section of the battlefield.

To my right, German forces were attempting a major beach assault. To my left, gliders and paratroopers were descending into Allied lines. Across the table, allegiance flexible partisan forces and the Americans were pursuing their own mysterious objectives. During the game I had almost no idea what was happening beyond my immediate area of operations. It was only afterwards, when players compared stories, that the full scale of the chaos became apparent.

By the end of the day, the results were dramatic. The King was dead. His brother Edward had been captured by the Americans, only to be blown up by the French. The Germans had been held on the beaches but had achieved enough of their secret objectives elsewhere to secure a convincing Axis victory.

For my part, I was betrayed by supposed allies on three separate occasions. And I loved every minute of it.

Emergent Story

If you’ve been following this blog for a while you’ll know that I love the concept of emergent play. This game really embraced the concept and ratcheted it up to 11. As mentioned above, secret objectives, multiple factions and of course the huge number of players meant that lots of stories unfolded on the table. I don’t believe that the organisers Jackson and John, quite knew how things were going to land. The stories evolved on their own. The battle for the King, dogfights overhead, desperate clashes on the beach. It felt like a hundred cinematic stories played out over the course of the day.

Final Thoughts on Massive Bolt Action

The Commandos acquitted themselves well, even if they ultimately failed to save the King. More importantly, every player embraced the spirit of the event. Nobody took things too seriously, everyone leaned into the narrative, and the result was a game full of memorable stories that will be talked about long after the final dice were packed away.

I’ve played a lot of wargames over the years, but I’ve never experienced anything quite like this. Though it did remind me of some of my multiplayer Space Weirdos games, albeit at a much grander scale. It felt less like a traditional tabletop battle and more like being dropped into an alternate-history war movie where nobody had been given the full script.

A huge thanks to the two organisers, Jackson and John, an amazing effort that resulted in a very fun and chaotic day!

Apparently next year’s big game is set to be Operation Crusader.

I’d better start shopping for some desert tanks.

Dungeons & Dragons: A Surprising Tool for Workplace Success

While I have talked about this before I thought it would be worth revisiting for people who are a bit newer to this blog. While most of us know Dungeons & Dragons (D&D) as the worlds most popular fantasy role-playing game, I really believe that it offers more than entertainment. D&D has the potential to be a powerful tool for personal growth and professional development. Surprisingly, the skills honed at the gaming table—creativity, collaboration, and critical thinking—extend far beyond the dungeon and can have a lasting impact in the workplace. In this article, we’ll revisit three compelling reasons why playing D&D can help foster a productive and innovative work environment.

1. Fostering Creativity

At its heart, D&D thrives on imagination. Players immerse themselves in complex worlds, creating unique characters, crafting storylines, and solving challenges in unexpected ways. This exercise in creativity translates directly to the workplace, especially where fresh thinking and innovation are highly prized.

Employees who engage in creative activities like D&D become adept at looking at problems from different angles. They are better equipped to brainstorm unconventional solutions and tackle obstacles with creativity. This flexibility is especially valuable in industries where problem-solving requires innovative approaches. for example film production, software engineering and marketing could really do with more D&D players amongst their workers. Additionally, D&D encourages players to adapt on the fly, sharpening their ability to remain agile in the face of rapidly changing situations—a skill that’s equally important in all fast-paced professional environments.

Workplace Takeaway: By nurturing creativity, D&D empowers employees to approach workplace challenges with enthusiasm, confidence, and a sense of resourcefulness, benefitting the entire team.

2. Encouraging Collaboration

D&D is a collaborative experience. Players must work together as a team, using their individual strengths to overcome obstacles and achieve shared goals. Similarly, in most workplaces, teamwork is essential for success.

Through playing the game, employees can develop essential collaboration skills such as effective communication, cooperation, and trust-building. The game offers opportunities to practice working together, combining diverse talents to achieve the best outcomes. In doing so, D&D mirrors real-world team dynamics—players need to listen to one another, adapt their strategies, and support each other to succeed. They may also come up against disagreements in game. Navigating these helps hugely in overcoming similar situations in the real world.

I see the game as also being a fantastic space to develop leadership skills, as players often take turns guiding the group through quests, motivating others, and coordinating efforts toward a common goal.

Workplace Takeaway: D&D builds a strong sense of camaraderie and helps employees understand the value of working together, ultimately leading to improved collaboration in the workplace.

Not this sort of collaboration…

3. Cultivating Critical Thinking

D&D is filled with complex challenges, from solving intricate puzzles to navigating moral dilemmas and tactical combat. To overcome these obstacles, players must think critically, analyzing situations and making decisions that could affect the outcome of the entire adventure or campaign. While not real, the in-game consequences can be vast, with whole worlds in the balance. Of course, these decision-making skills are highly transferable to the workplace.

In professional settings, critical thinking is a cornerstone of problem-solving and strategic planning. D&D teaches players to evaluate situations, consider multiple perspectives, and anticipate consequences. What’s more, the game encourages players to embrace failure. When a strategy doesn’t go as planned, the group regroups, reevaluates, and tries again—fostering the ability to persevere in the face of setbacks. This mindset is invaluable at work, where adaptability is crucial, and learning from failure is essential for long-term growth.

Workplace Takeaway: By sharpening critical thinking skills, D&D helps employees become better problem solvers, enhancing their ability to navigate complex situations in the workplace.

Final Thoughts: Why D&D Is Good for the Workplace

If you’ve been reading this blog for a while you’ll already know that I consider D&D to be much more than a game. It really is a gateway to developing skills that are essential for a thriving workplace. From sparking creativity to enhancing teamwork and sharpening critical thinking, D&D equips players with tools that can transform how they work and collaborate with others. Whether you’re looking to foster a more innovative team, improve communication, or build resilience, the lessons learned through D&D can have a profound impact on workplace dynamics.

So, keep an eye out for D&D players at work and don’t dismiss it as just a pastime. It could be the key to unlocking their potential as creative problem-solvers and collaborative teammates as well as helping forge your next cohort of effective and successful leaders.